oil on canvas
78.35 in. (199.00 cm.) (height) by 70.87 in. (180.00 cm.) (width)
Painted in Giverny
stamped with signature 'Claude Monet' (Lugt 1819b; lower left)
Boston, Museum of Fine Arts, Monet in the 20th Century, September - December 1998, no. 61, p. 283 (illustrated p. 196; dated '1914-1919').
J.-D. Rey, Nymphéas ou les miroirs du temps, Paris, 1972, p. 169 (illustrated). D. Wildenstein, Claude Monet: Biographie et catalogue raisonné, vol. IV, 1899-1926, Lausanne & Paris, 1985, no. 1849, p. 274 (illustrated pp. 101 & 275). D. Wildenstein, Claude Monet: Catalogue raisonné, vol. V, Lausanne & Paris, 1991, no. 1849, p. 54. D. Wildenstein, Monet: Catalogue Raisonné, vol. IV, Cologne & Lausanne, 1996, no. 1849, p. 877 (illustrated). C. Temin, 'Monet’s Grand Finale', in Boston Globe, Boston, 18 September 1998, p. D14 (illustrated on the front page). J.-D. Rey & D. Rouart, Monet Water Lilies: The Complete Series, Paris, 2008, p. 136 (illustrated). P. H. Tucker, Claude Monet: Late Work, exh. cat., Gagosian Gallery, New York, 2010, p. 32 (illustrated fig. 16, p. 31). G.T.M. Shackelford, Monet: The Late Years, exh. cat., Kimbell Art Museum, Fort Worth, 2019, pp. 133-134 (illustrated fig. 159).
The artist's estate. Michel Monet, Giverny, by descent from the above. Galerie Katia Granoff, Paris, by whom acquired from the above, between 1951-1956. Wildenstein & Co., Inc., New York, by whom acquired from the above, in January 1983. Acquired from the above by the present owners, on 29 May 1985.