LOT DETAILS

Materials:

oil and beeswax on canvas

Size Notes:

69 x 45 in. (175.4 x 114.3 cm.)

Description:

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Exhibited:

New York, Bykert Gallery, Brice Marden: Back Series, January 1968. Basel, Kunsthalle Basel, Von Twombly bis Clemente. Ausgewählte Werke einer Privatsammlung, July-September 1985, no. 30 (illustrated). Bordeaux, CAPC Musée d’Art Contemporain, Art Minimal II, December 1986-February 1987, p. 69 (illustrated). Munich, Kunstverein München; Winterthur, Kunstmuseum Winterthur, Brice Marden. Work Books 1964-1995, July-November 1997. Zurich, Daros Exhibitions, Brice Marden, June 2003-January 2004, no. 3 (illustrated). London, Gagosian Gallery, Imageless Icons. Abstract Thoughts, February-March 2005, pp. 49 and 102 (illustrated). Berlin, Museum für Gegenwart, Brice Marden: A Retrospective of Paintings and Drawings, June-October 2007, p. 159, no. 23 (illustrated).

Literature:

E. Wasserman, "Brice Marden: Bykert Gallery," Artforum, March 1968 (illustrated). M. Hafif, "Beginning Again," Artforum, September 1978, p. 37 (illustrated). K. Kertess, Brice Marden. Paintings and Drawings, New York, 1992, p. 63 (illustrated). Brice Marden. Chinese Work, exh. cat., Matthew Marks Gallery, New York, May-June 1997, p. 30. J. Richardson, "Brice Marden's Abstract Heart," Vanity Fair, May 1999, p. 201. E. Costello, Brice Marden, London and New York, 2013, p. 61, no. 44 (illustrated).

Provenance:

Bykert Gallery, New York Jerald Ordover, New York Max Protetch, Washington, D.C. Peder Bonnier, New York Thomas Ammann Fine Art AG, Zurich Acquired from the above by the present owner