LOT DETAILS

Materials:

oil on canvas

Measurements:

82.01 in. (208.30 cm.) (height) by 57.01 in. (144.80 cm.) (width)

Markings:

signed and dated 1996-9 on the reverse

Exhibited:

Dallas, Dallas Museum of Art; Washington, D.C., Hirshhorn Museum and Sculpture Garden, Smithsonian Institution; Miami, Miami Art Museum; Pittsburgh, Carnegie Museum of Art, Brice Marden: Work of the 1990s, February 1999 - August 2000, not illustrated (Miami and Pittsburgh only); London, Serpentine Gallery, Brice Marden, November 2000 - January 2001, cat. no. 25, p. 65, illustrated in color and illustrated in color on the cover; Boston, Boston University Art Gallery, Looking East: Brice Marden, Michael Mazur, and Pat Steir, January - February 2002, cat. no. 12, pl. 10, p. 84, illustrated in color, illustrated in color on the front cover (detail) and p. 55 (text); New York, Matthew Marks Gallery, Brice Marden: Attendants, Bears, and Rocks, May - June 2002, cat. no. 30, illustrated in color; Zurich, Daros Collection, Brice Marden, June 2003 - January 2004, cat. no. 18, illustrated in color

Literature:

Deborah K. Kietsch, "Forward Motion," South Florida Sun-Sentinel, December 19, 1999, sec. D, p. 10 (text); Mick Brown, "Driven to Abstraction," The Daily Telegraph, London, October 28, 2000, sec. A, p. 11 (text) ; Richard Dorment, "One Look and You Feel You Could Look Forever," The Daily Telegraph, London, November 15, 2000, p. 26 (text) ; Post Magazine, London, November 16, 2000, illustrated; Sarah Hemming, "Brice Marden, Serpentine Gallery," Daily Express, London, November 17, 2000, illustrated; Laura Cumming, "The Brice is Right: After a 20-Year Gap, Brice Marden's Abstracts Go on Display in London. About time," The Observer, London, November 19, 2000, p. 10, illustrated; Michael Glover, "Abstraction's Rich Possibilities," The Independent, London, November 21, 2000, p. 21, illustrated; Charles Darwent, "Shy, Assertive, Even Lonely, His Wriggly Lines are Moody Trails. Brice Marden, Serpentine Gallery, London," The Independent on Sunday, London, November 26, 2000, p. 5 (text); Cate McQuaid, "Capturing Eastern Spirit in a Spectacle of Paint," The Boston Globe, January 24, 2002, sec. D, p. 1, illustrated in color; Coalition for the Homeless/11th Annual Artwalk, New York, October 17, 2005, p. 7, illustrated in color

Provenance:

Matthew Marks Gallery, New York (acquired from the artist); Acquired by the present owner from the above