LOT DETAILS

Materials:

single channel videoruntime: 7:30 minutes

Measurements:

40.00 in. (101.60 cm.) (height) by 1.00 in. (2.54 cm.) (width) by 8.00 in. (20.32 cm.) (width)

Description:

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Markings:

Executed in 1995, this work is number 30 from an edition of 250 and is accompanied by a certificate of authenticity signed by the artist.

Exhibited:

Columbus; Wexner Art Center; Chicago; Museum of Contemporary Art; Hall of Mirrors: Art and Film since 1945; September 1996January 21; 1998 (another example exhibited)Kunsthaus Zrich; Arranged and Conducted; 1997 (another example exhibited)Columbus; Wexner Art Center; Videotheque: New Television; March 1997 (another example exhibited)New York; Paula Cooper Gallery; Christian Marclay: Telephones; November 12; 1999January 29; 2000 (another example exhibited)Heydt-Museum Wuppertal; Haus der Kunst Mnchen; TALK. Show. Die Kunst der Kommunikation in den 90er Jahren; March 28; 1999January 9; 2000; pp. 8283; 140 (another example exhibited and illustrated; pp. 8283)48th Venice Biennale; dAPERTutto; June 13November 7; 1999; pp. 108109; 401; 405 (another example exhibited and illustrated; p. 109)Lyon; Muse dart Contemporain; Musique en Scne; 1999 (another example exhibited)Berlin; Galerie Barbara Thumm; Karlsruhe; The Badischer Kunstverein; Krakow; Gallery for Contemporary Art Bunkier Sztuki; Budapest; House of Contemporary Arts Trafo; London; Lux Center; Group Video Exhibition; March 15; 20002001Paris; Centre Georges Pompidou; Rome; Palais des Expositions; Centre de Cultura Contemporania de Barcelona; Le temps; vite!; January 12; 2000February 25; 2001 (another example exhibited)Boston; Barbara Krakow Gallery; Print Publishers Spotlight; October 21November 29; 2000 (another example exhibited)Oakville Galleries; Christian Marclay: Asynchronous; December 8; 2000February 4; 2001 (another example exhibited)Saratoga Springs; The Tang Teaching Museum and Art Gallery; Skidmore College; S.O.S: Scenes of Sounds; October 27; 2000January 28; 2001 (another example exhibited)Berlin; Galerie Barbara Thumm; Karlsruhe; The Badischer Kunstverein; Krakow; Gallery for Contemporary Art Bunkier Sztuki; Budapest; House of Contemporary Arts Trafo; London; Lux Centre; Group Video Exhibition; March 15; 20002001 (another example exhibited)Roskilde; Museet for Samtidskunst; Christian Marclay: Video & Photography; March 24May 14; 2000 (another example exhibited)Baltimore; Contemporary Museum; Making Sense: Ellen Gallagher; Christian Marclay and Liliana Porter; May 4August 20; 2000; n.p. (another example exhibited)Ume; Galleri Stefan Andersson; Umedalen Skulpture 2000; JuneSeptember 3; 2000; pp. 2021 (another example exhibited and illustrated; p. 21)Vancouver; Presentation House Gallery; Christian Marclay: Telephones; September 2October 28; 2000 (another example exhibited)Ontario; Oakville Galleries; Christian Marclay: Cinema; December 9; 2000February 4; 2001; n.p. (another example exhibited)New York; Paula Cooper Gallery; Christian Marclay: Telephones; December 11; 1999January 29; 2000 (another example exhibited)Saint Louis Art Museum; Currents 84: Christian Marclay; April 20June 24; 2001 (another example exhibited)Mai; Bienal Maia; URBANLAB.BienalMaia-2001; June 8July 15; 2001 (another example exhibited)Wilmington; Delaware Center for Contemporary Art; Museum of Contemporary Art Chicago; Telephones; July 1September 20; 2001 (another example exhibited)Los Angeles; UCLA Hammer Museum; Annandale-on-Hudson; The Center for Curatorial Studies Museum; Bard College; The Seattle Art Museum; Bern; Kunstmuseum Thun; Christian Marclay; June 1; 2003September 6; 2004; pp. 124; 126; 137 (another example exhibited and illustrated; p. 126)Geneva; MAMCO & Centre pour limage contemporaine; 9th Biennal of the Moving Image; November 2001 (another example exhibited)Norwich; Sainsbury Centre for Visual Arts; Edinburgh; City Art Centre; Manchester; Cornerhouse; Incommunicado; September 30; 2003July 4; 2004; no. 14; pp. 19; 109 (another example exhibited)Paris; Palais de Tokyo; site de cration contemporaine; PAYLIST; February 2April 25; 2004; pp. 175; 287 (another example exhibited and illustrated; p. 175)The Orange Lounge at The Orange County Museum of Art; Los Angeles; Hypermedia; July 31September 26; 2004 (another example exhibited)Cultural Centre of Belgrade; Art; Life & Confusion ; 47th October Salon; September 29November 5; 2006; pp. 9899; 263 (another example exhibited and illustrated; p. 99)Grimaldi Forum Monaco; New York; New York: Fifty Years of Art; Architecture; Cinema; Performance; Photography and Video; July 14September 10; 2006; p. 546 (another example exhibited) So Paulo; Pao das Artes; Grau Zero; 2009; n.p. (another example exhibited and illustrated)Paris; muse de la musique; Melbourne; Australian Center for the Moving Images; CHRISTIAN MARCLAY: REPLAY; March 9; 2007February 3; 2008; pp. 49; 103107 (another example exhibited and illustrated; pp. 59)Cedar Rapids Museum of Art; Christian Marclay's Telephones; May 9August 2; 2009 (another example exhibited)SITE Santa Fe; Talking Pictures; October 10; 2009January 10; 2010 (another example exhibited)Contemporary Arts Museum Houston; Perspectives 178: CINEPLEX; April 13July 8; 2012; n.p. (another example exhibited and illustrated)Munich; Haus der Kunst; Resonance and Silence. Synesthetic Aspects of Film and Video; April 13September 9; 2012; pp. 8185 (another example exhibited and illustrated; pp. 81; 8485)Zurich; Aargauer Kunsthaus; Rhythm in it: On rhythm in contemporary art; May 18August 11; 2013; pp. 150152; 222 (another example exhibited and illustrated; p. 152)New York; Whitney Museum of American Art; America Is Hard to See; May 1September 27; 2015 (another example exhibited)Zurich; Aargauer Kunsthaus; Christian Marclay: Action; August 30November 15; 2015; p. 94 (another example exhibited)Vancouver Art Gallery; MashUp: The Birth of Modern Culture; February 20June 12; 2016; pp. 212213 (another example exhibited and illustrated)New York; 601Artspace; I Cant Tell You Because I Cant Tell You; September 16November 12; 2017 (another example exhibited)New York; Paula Cooper Gallery; Christian Marclay: Phones; September 7October 7; 2017 (another example exhibited)ZKM ; Center for Art and Media Karlsruhe; Art in Motion. 100 Masterpieces with and through Media. An Operative Canon; July 13; 2018February 10; 2019 (another example exhibited)Melbourne; National Gallery of Victoria and the Museum of Modern Art; MoMA at NGV: 130 Years of Modern and Contemporary Art; June 9; 2018October 7; 2018 (another example exhibited)Dsseldorf; Sammlung Philara; On Display IV; September 6; 2019Summer 2020 (another example exhibited)San Francisco; Fraenkel Gallery; I'm Not the Only One; September 8October 24; 2020 (another example exhibited)Buenos Aires; Proa Foundation; La Suite; July 8November 2021 (another example exhibited)New York; PS122 Gallery; National Academy of Design; Media Relay: An Exhibition in Two Parts; January 13February 27; 2022 (another example exhibited)

Literature:

La Biennale di Venezia; Esposizione internazionale d'arte; vol. 48; Venice; 1999; pp. 108109Art in America; September 2003; p. 90Christian Marclay; exh. cat.; UCLA Hammer Museum; Los Angeles; 2003; p. 126Playlist; exh. cat.; Palais de Tokyo; 2004; p. 175Philip Sherburne; 'Christian Marclays Cochlear Implants;' Parkett; no. 70; 2004; p. 32Holly Myers; 'ART; An Old Mall Gets Younger;' The New York Times; August 29; 2004; Section 2; p. 27Roger Hewson; 'Orange Lounge Debuts;' Orange Coast; vol. 30; no. 9; September 2004; p. 34CUT/Film as Found Object in Contemporary Video; exh. cat.; Milwaukee Art Museum; 2004Matthew Higgs; Christian Marclay; London; 2005; pp. 6165 (another example illustrated; pp. 62; 6465)Randall Halle and Reinhild Steingrver; eds.; After the Avant-Garde: Contemporary German and Austrian Experimental Film; Rochester; 2008; p. 246'SITEs to see;' The Santa Fe New Mexican; October 9; 2009; p. 13 (another example illustrated)U. Autenrieth; et. al. eds.; Dis Connecting Media; Basel; 2011; p. 209 (another example illustrated)Adam Bell and Charles Traub; eds.; Vision Anew: The Lens and Screen Arts; Oakland; 2015; pp. 181182; 187 (another example illustrated; p. 182)Paul Hegarty; Rumour and Radiation: Sound in Video Art; New York; 2015; fig. 7.2; p. 102 (another example illustrated)Embracing the Contemporary: The Keith L. and Katherine Sachs Collection; exh. cat.; Philadelphia Museum of Art; 2016; pl. 102; p. 35 (another example illustrated)CCS Bard Hessel Museum; Invisible Adversaries; Annandale-on-Hudson; 2016; p. 79 (another exampled illustrated)Jon Knowles and Cheryl Sim; eds.; DHC/ART LIBRE; p. 44 (another example illustrated)Alison Butler; Displacements: Reading Space and Time in Moving Image Installations; Cham; 2019; p. 61Wendy Haslam; From Mlis to New Media; Bristol; 2019; pp. 113115Barbara Staubli and Barbara Hatebur; eds. The Julius Baer Art Collection Zurich; 2020; p. 205 (another example illustrated)A.L. Rees; Fields of View: Film; Art and Spectatorship; London; 2020; p. 163Jaimie Baron; Reuse; Misuse; Abuse: The Ethics of Audiovisual Appropriation in the Digital Era; New Brunswick; 2020; p. 63Jon Knowles and Cheryl Sim; eds.; DHC/ART LIBRE; Montreal; 2018; p. 44 (illustrated)David Curtis; World of Art; London; 2021; p. 34Eduardo Navas; Owen Gallagher and xtine burrough; eds.; The Routledge Handbook of Remix Studies and Digital Humanities; New York; 2021; p. 368

Provenance:

Paula Cooper Gallery, New YorkAcquired from the above by the present owner