LOT DETAILS

Materials:

oil on canvas

Size Notes:

45 x 50 in. (114.3 x 127 cm.)

Description:

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Exhibited:

London, Marlborough Gallery, Keith Vaughan, October - November 1964, no. 34. Trondheim, British Council, Kunstforening, British Painting 1945-1970, January - February 1972, no. 16: this exhibition travelled to Oslo, Kunstnerforbundet, February 1972; Begen, Kunstforeningen, February - March 1972; Warsaw, Muzeum Narodowe, June 1972; Krakow, Museum Narodowe, July 1972; and Poznan, Museum Narodowe, August 1972. Sheffield, Mappin Art Gallery, Keith Vaughan Memorial Exhibition, 1977, catalogue not traced. London, Thomas Agnew & Sons, Keith Vaughan 1912-1977, November - December 1990, no. 4. London, Olympia Fine Arts and Antiques Fair, Keith Vaughan 1912-1977: an exhibition of paintings and drawings, February - March 2002, no. KV 325. London, Osborne Samuel, Keith Vaughan Paintings and Drawings, May - June 2007, no. 14.

Literature:

Exhibition catalogue, British Painting 1945-1970, Trondheim, British Council, Kunstforening,1972, n.p., no. 16, illustrated. M. Yorke, Keith Vaughan: His Life and Work, London, 1990, pp. 8, 215, pl. 33. R. Wollen, Catalogue of the Methodist Church Collection of Modern Christian Art, Oxford, 2003, pp. 2-3, 164, pl. 82. Exhibition catalogue, Keith Vaughan: Paintings and Drawings, London, Osborne Samuel, 2007, pp. 40-41, no. 14, illustrated. A. Hepworth and I. Massey, Keith Vaughan: The Mature Oils 1946-77, Bristol, 2012, pp. 30, 136, no. AH363, illustrated. P. Vann and G. Hastings, Keith Vaughan, Farnham, 2012, pp. 110, 130-2, pl. 111. S. Martin, 'Romantic Abstraction', Apollo, January 2013, pp. 90-91, fig. 2.

Provenance:

Acquired directly from the artist by Mrs Lettice Colman, 1964, and by descent. Mrs Penelope Allen. David Hughes. Dr John Ball and Gordon Hargreaves. Sebastian Walker, by 1971. His sale; Sothebys, London, 20 November 1991, lot 55, where purchased for the present collection.