LOT DETAILS

Materials:

oil on canvas

Size Notes:

74.5 x 60.1 cm (29 3/8 x 23 5/8 in.)

Edition:

Painted in 1993.

Description:

SIGN UP or LOG IN

Markings:

signed and dated ‘Luc Tuymans ’93’ on the reverse; signed and dated ‘Luc Tuymans ’93’ on the stretcher

Condition:

This work is in very good condition. There are scattered small paint losses along the upper extreme horizontal edge, only visible upon close inspection. Otherwise, the are no apparent condition issues with this work. When examined under Ultra-violet light there is no indication of inpainting. The work is not framed.

Exhibited:

Amsterdam, Galerie Paul Andriesse, Luc Tuymans, 16 October – 24 November 1993
London, Hayward Gallery, Unbound: Possibilities in Painting, 3 March – 30 May 1994, p.103 (illustrated)
Berlin, Galerie Isabella Czarnowska, Paul Thek and Luc Tuymans: Why?!, 27 April – 28 July 2012, pp. 29, 112 (illustrated)

Literature:

Frank-Alexander Hettig, ‘Luc Tuymans’, Kunstforum International, vol. 125, January 1994, p. 378
David Lillington, ‘Zeitgeist’, Time Out London, no. 1228, 2 March 1994 (illustrated)
Tim Hilton, ‘Every Which Way but Forwards’, The Independent, 6 March 1994 (illustrated)
Waldemar Januszczak, ‘A State of Confusion’, The Sunday Times, 13 March 1994
Adrian Dannatt, ‘London by Numbers: Three Painting Shows’, Flash Art, no. 177, Summer 1994, p. 121 (illustrated)
Jonathan Turner, ‘Under the Skin: Luc Tuymans’, Tableau, February 1999, p. 84 (illustrated)
Tim Ackermann, ‘So sehen Sieger aus’, Welt am Sonntag, 29 April 2012
Frank Demaegd, ed., Luc Tuymans, Zeno X Gallery: 25 Years of Collaboration, Antwerp, 2016, p. 262 (illustrated)
Eva Meyer-Hermann, ed., Luc Tuymans: Catalogue Raisonné of Paintings, Volume 1: 1972-1994, New York, 2017, no. LTP 146, pp. 334, 488 (illustrated, p. 335)

Provenance:

Galerie Paul Andriesse, Amsterdam<br />Acquired from the above by the present owner