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Lot Details


Still Life with An Earthenware Jug, A Deck of Cards and Smoking Paraphernalia by 
																	Jan Fris

Jan Fris

( Dutch, 1627 - 1672 fl. 1647-1672)

Still Life with An Earthenware Jug, A Deck of Cards and Smoking Paraphernalia

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LOT DETAILS

Materials:

oil on panel

Measurements:

15.00 in. (38.10 cm.) (height) by 11.57 in. (29.40 cm.) (width)

Exhibited:

Providence, Museum of Art, Rhode Island School of Design,. Northern Baroque Paintings and Drawings from the Collection of Mr. and Mrs. Henry H. Weldon , 15 April - 7 June 1964, no. 8;. New York, Finch College Museum of Art,. The Collection of Mr. and Mrs. Henry H. Weldon , 11 May - 30 June 1966, no. 11;. Birmingham, AL,. The Golden Age of Dutch Painting , 22 April - 18 June 1995, no. 6;. New Orleans, New Orleans Museum of Art,. In the Eye of the Beholder: Northern Baroque Paintings from the Collection of Henry H. Weldon , 1997, no. 19;. Baltimore, The Walters Art Gallery,. An Eye for Detail, 17 th -Century Dutch and Flemish Paintings from the Collection of Henry H. Weldon , 20 June - 5 September 1999, no. 18

Literature:

S. Nihom-Nijstad, . Reflets du Siècle d'Or. Tableaux Hollandaise du dix-septième siècle, Collection Frits Lugt , Paris 1983, p. 52;. N.T. Minty,. In the Eye of the Beholder: Northern Baroque Paintings from the Collection of Henry H. Weldon , exhibition catalogue, New Orleans 1997, pp. 49-50, cat. no. 19, reproduced p. 50;. . An Eye for Detail, 17 th -Century Dutch and Flemish Paintings from the Collection of Henry H. Weldon , exhibition catalogue, Baltimore 1999, pp. 48-49, cat. no. 18, reproduced p. 49

Provenance:

J. Danser Nijman, Amsterdam;. Macalester Loup, The Hague;. Henry Philip Hope (1774-1839), London;. Thence by descent to his nephew Henry Thomas Hope (1808-1862), London;. By whom bequeathed to his widow, Anne Adèle Bichat;. By whom bequeathed to her grandson, Henry Francis Hope Pelham-Clinton-Hope, (1866-1941) 8th Duke of Newcastle-under-Lyne, in 1884;. With Asher Wertheimer, London, 1889;. With Duits, London;. Alfred Brod, 1956

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